Changing the world, one frame at a time
Crafting their latest instalment in the Paradise Lost series of documentaries, filmmakers Bruce Sinofsky and Joe Berlinger could scarcely have believed the surprise ending that fell into their laps. After documenting their subjects, the notoriously wrongly jailed ‘West Memphis Three‘, on death row for 17 years, Berlinger and Sinofsky were able to see Damien Echols, Jessie Misskelley Jr and Jason Baldwin freed at last. After much deliberation, they were exonerated of the crime of killing three young boys in Arkansas in 1993. It was the vindication of a journey which saw the making and release of two other feature documentaries championing the cause, the recruitment of a series of influential celebrities, and more than a few near misses with the electric chair.

The Paradise Lost series is popularly seen as a major factor in the eventual release of the WM3; the documentaries raised awareness of their plight, and undoubtedly the funding for the trio’s legal defence could not have been secured without Berlinger and Sinofky’s involvement. It raises an important question for the medium - do documentaries truly have the power to change the world?
With The Thin Blue Line, for instance, the famous documentarian Errol Morris successfully presented evidence which pointed to the possibility that the murderer Randall Dale Adams was innocent of the crime for which he was imprisoned. One year after the film’s release, Adams was released; the fact that he later sought legal action against Morris to reclaim the rights to his life story is just a sad coda to a story of triumph, in which an acclaimed and courageous film helped effect real change.
Environmental docs have scored great successes too. The Cove, named 2010’s Best Documentary by the Academy Awards, raised awareness of Japanese dolphin fishing and forced Sea World to issue a statement denying that their dolphins were sourced from Japanese waters. An Inconvenient Truth, a climate change lecture helmed by former US vice president Al Gore, ignited a nationwide debate on the science and causes of global warming.
In modern times, the ultimate success of West Memphis Three’s campaign, and the undeniably enormous role played by Berlinger and Sinofsky in helping it, raises a number of interesting questions about the power of documentary to rally support for real-life causes. On one hand, the fragmentation of the media landscape means that viewing figures are dwindling for all but the most mass-market films, so films can struggle to capture the zeitgeist and motivate a unified body of viewers to action. On the other hand, the growth of social media means that publicising the right cause can be easier than ever.
Leave a Reply
Search this Site
Archive
- September 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- December 2010
- October 2010
- September 2010
- August 2010
- July 2010
- June 2010
- May 2010
- April 2010
- March 2010
- February 2010
- January 2010
- December 2009
- November 2009
- October 2009
- September 2009
- August 2009
- July 2009
- June 2009
- May 2009
- April 2009
- March 2009
- February 2009
- December 2008
- November 2008
- October 2008
- September 2008
- August 2008
- July 2008
- June 2008
- May 2008
- April 2008
- June 2004